Slasky - Double Resurrection XXL






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Slasky’s Double Resurrection XXL is a hand signed Giclée on cotton canvas from the Cortocircuito Pop series, marrying a Renaissance icon with magenta and cyan double exposure for a sharp contemporary dialogue.
Description from the seller
Art is not about representing new things, but about representing them with novelty.
From the Pop Short Circuit series:
Double Resurrection
Artist: Slasky
Technique: Fine art print on cotton canvas, double digital exposure (magenta/cyan) on a Renaissance-style painterly background.
Year: 2025
Unique work
Curatorial description:
Double Resurrection is born from a contemporary rereading of a work from the Venetian painting tradition: the Resurrection of Christ attributed to the circle of Girolamo da Santa Croce. Slasky intervenes on the historical image through a double digital exposure in magenta and cyan, creating a visual short circuit between the past and the present, between sacred iconography and the visual syntax of perceptual glitch.
The Renaissance composition, symmetrical and static, is destabilized by chromatic interference. The figure of Christ — an emblem of spiritual rebirth — multiplies and vibrates, split between two visual frequencies that never completely coincide. Magenta and cyan are not just colors, but digital codes, opposing frequencies that recall the RGB era and the limits of human vision.
The result is a resurrection in the broadest sense: a return of the image that is not content with representation but asks to be traversed. The work speaks of faith and perception, of memory and distortion, of icons that resist the erosion of time only if regenerated by the present.
The choice to work on a religious image and to contaminate it with contemporary digital languages is a reflection on the transmission of symbols: what remains sacred today, and how do we see it?
Keywords: double exposure, magenta/cyan, sacred icon, visual interference, rebirth, temporal layering, digital language, tradition and rupture.
Slasky is a renowned Italian artist whose works have been exhibited in personal and group exhibitions internationally.
The artist has the ability to blend classical artworks with contemporary digital art techniques. With his neo-urban classical style, he combines tradition and modernity, bringing the protagonists of original artworks into contemporary social and artistic environments.
Latest Exhibitions
Parallax Art Fair
Kensington Town Hall
Hornton Street
London
W8 7NX
2024
Solo Exhibition
Contemporary Venice
Palazzo Pisani-Revedin
S. Marco, 4013A , 30124 Venice, Italy
ARTLAB
Benjamin Eck Gallery
Munich, Germany
2021
Mia Fair
Information about Photography Art Fair Italy
Milan, Italy
Lausanne Art Fair
Beaulieu Lausanne
Booth 59
Swiss
Lille ArtUp 2021
Lille, France
StreetArt//UrbanArt
Legnano, Italy
2020
Woodward Gallery
WashYourHands Exhibition
New York City, NY
RedSheep Gallery
Work in Paper
Stockholm, Sweden
2019
Wopart Art Fair 2019 / Centro Esposizioni - Lugano, Switzerland
Long live Rembrandt
Rijks Museum Amsterdam
Art is not about representing new things, but about representing them with novelty.
From the Pop Short Circuit series:
Double Resurrection
Artist: Slasky
Technique: Fine art print on cotton canvas, double digital exposure (magenta/cyan) on a Renaissance-style painterly background.
Year: 2025
Unique work
Curatorial description:
Double Resurrection is born from a contemporary rereading of a work from the Venetian painting tradition: the Resurrection of Christ attributed to the circle of Girolamo da Santa Croce. Slasky intervenes on the historical image through a double digital exposure in magenta and cyan, creating a visual short circuit between the past and the present, between sacred iconography and the visual syntax of perceptual glitch.
The Renaissance composition, symmetrical and static, is destabilized by chromatic interference. The figure of Christ — an emblem of spiritual rebirth — multiplies and vibrates, split between two visual frequencies that never completely coincide. Magenta and cyan are not just colors, but digital codes, opposing frequencies that recall the RGB era and the limits of human vision.
The result is a resurrection in the broadest sense: a return of the image that is not content with representation but asks to be traversed. The work speaks of faith and perception, of memory and distortion, of icons that resist the erosion of time only if regenerated by the present.
The choice to work on a religious image and to contaminate it with contemporary digital languages is a reflection on the transmission of symbols: what remains sacred today, and how do we see it?
Keywords: double exposure, magenta/cyan, sacred icon, visual interference, rebirth, temporal layering, digital language, tradition and rupture.
Slasky is a renowned Italian artist whose works have been exhibited in personal and group exhibitions internationally.
The artist has the ability to blend classical artworks with contemporary digital art techniques. With his neo-urban classical style, he combines tradition and modernity, bringing the protagonists of original artworks into contemporary social and artistic environments.
Latest Exhibitions
Parallax Art Fair
Kensington Town Hall
Hornton Street
London
W8 7NX
2024
Solo Exhibition
Contemporary Venice
Palazzo Pisani-Revedin
S. Marco, 4013A , 30124 Venice, Italy
ARTLAB
Benjamin Eck Gallery
Munich, Germany
2021
Mia Fair
Information about Photography Art Fair Italy
Milan, Italy
Lausanne Art Fair
Beaulieu Lausanne
Booth 59
Swiss
Lille ArtUp 2021
Lille, France
StreetArt//UrbanArt
Legnano, Italy
2020
Woodward Gallery
WashYourHands Exhibition
New York City, NY
RedSheep Gallery
Work in Paper
Stockholm, Sweden
2019
Wopart Art Fair 2019 / Centro Esposizioni - Lugano, Switzerland
Long live Rembrandt
Rijks Museum Amsterdam
