Joan Soler Tobella (1930) - Boats at rest





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Boats at rest is an oil painting on panel from the 1960s, produced in Spain and sold with a frame.
Description from the seller
Boats at rest
Joan Soler Tobella (b. 1930)
Oil on board · 27 × 22 cm · with frame 44 × 39 cm
Technical sheet
Author: Joan Soler Tobella (Barcelona, 1930)
Boats at Rest on Lighted Waters
Chronology: Second half of the 20th century
Technique and support: Oil on panel
Measurements: 27 × 22 cm (artwork) · 44 × 39 cm (with frame)
Marco: Magnificent period frame, with a wide gilded wooden molding featuring silver glazes and an antique tone.
Provenance: Private collection
Condition of preservation: Excellent; stable pictorial film and uniform varnish.
2. Compositional and iconographic description
The painting depicts two stranded boats in calm waters, gently floating on vibrant water that Soler Tobella interprets through quick, broken, and luminous brushstrokes. The composition is articulated through a dynamic foreground, where light falls on the nearest boat, revealing its texture and a wise study of reflections.
The blue, green, and ochre touches create a thoroughly Mediterranean atmosphere, indebted to the post-war Catalan landscape tradition. The brushwork is direct, thickly applied, and spontaneous, close to the impressionist gesturality of Eliseo Meifrén and the vibrant chromaticism of Joaquim Mir, although with Tobella's characteristic synthesis.
The scene, seemingly simple, becomes a masterful study of water movement, colored shadows, and the visual weight of the boats, achieving a balanced and evocative composition.
3. Style, Comparison, and Assessment
Joan Soler Tobella is part of the notable generation of Catalan painters dedicated to marine landscapes, reinterpreting the legacy of Meifrén, Ramon Martí Alsina, and Pere Pruna, but in a more modern and loose style. His work is distinguished by the spontaneity of the brushstroke, chromatic freshness, and the ability to capture moments of light with emotional precision.
This work stands out for its compositional quality, the solidity of the underlying drawing, and chromatic virtuosity. Comparatively, it is positioned within a similar range to other Catalan landscape and marine painters such as Feliu Elias (Apa), Olive Gimeno, or Juan Antonio García Conde, remaining within the Mediterranean luminist tradition.
It is a highly representative piece of its maritime production, ideal for collectors of 20th-century Catalan landscape painting or lovers of luminist painting.
Seller's Story
Boats at rest
Joan Soler Tobella (b. 1930)
Oil on board · 27 × 22 cm · with frame 44 × 39 cm
Technical sheet
Author: Joan Soler Tobella (Barcelona, 1930)
Boats at Rest on Lighted Waters
Chronology: Second half of the 20th century
Technique and support: Oil on panel
Measurements: 27 × 22 cm (artwork) · 44 × 39 cm (with frame)
Marco: Magnificent period frame, with a wide gilded wooden molding featuring silver glazes and an antique tone.
Provenance: Private collection
Condition of preservation: Excellent; stable pictorial film and uniform varnish.
2. Compositional and iconographic description
The painting depicts two stranded boats in calm waters, gently floating on vibrant water that Soler Tobella interprets through quick, broken, and luminous brushstrokes. The composition is articulated through a dynamic foreground, where light falls on the nearest boat, revealing its texture and a wise study of reflections.
The blue, green, and ochre touches create a thoroughly Mediterranean atmosphere, indebted to the post-war Catalan landscape tradition. The brushwork is direct, thickly applied, and spontaneous, close to the impressionist gesturality of Eliseo Meifrén and the vibrant chromaticism of Joaquim Mir, although with Tobella's characteristic synthesis.
The scene, seemingly simple, becomes a masterful study of water movement, colored shadows, and the visual weight of the boats, achieving a balanced and evocative composition.
3. Style, Comparison, and Assessment
Joan Soler Tobella is part of the notable generation of Catalan painters dedicated to marine landscapes, reinterpreting the legacy of Meifrén, Ramon Martí Alsina, and Pere Pruna, but in a more modern and loose style. His work is distinguished by the spontaneity of the brushstroke, chromatic freshness, and the ability to capture moments of light with emotional precision.
This work stands out for its compositional quality, the solidity of the underlying drawing, and chromatic virtuosity. Comparatively, it is positioned within a similar range to other Catalan landscape and marine painters such as Feliu Elias (Apa), Olive Gimeno, or Juan Antonio García Conde, remaining within the Mediterranean luminist tradition.
It is a highly representative piece of its maritime production, ideal for collectors of 20th-century Catalan landscape painting or lovers of luminist painting.

