No. 99938977

Masami Kobayashi – Carved Octagonal Bottle Vase with Celadon, Natural Clay, and Iron-Red Gradation - Porcelain - Masami Kobayashi - Japan - Shōwa period (1926-1989)
No. 99938977

Masami Kobayashi – Carved Octagonal Bottle Vase with Celadon, Natural Clay, and Iron-Red Gradation - Porcelain - Masami Kobayashi - Japan - Shōwa period (1926-1989)
– Contemporary octagonal vase by Masami Kobayashi with architectural presence – Three-tier colour gradation from celadon green to natural clay to terracotta base – Vertical carved texture lines enhancing the piece's geometric form
Summary: This is a contemporary stoneware vase by Japanese ceramic artist Masami Kobayashi (小林政美). The piece features a bold octagonal form with vertical carved texture lines running down its length. The surface presents a stunning three-tier gradation: the upper section is glazed in soft celadon green, the middle zone reveals the natural clay body in warm beige tones, and the lower section showcases rich terracotta and iron-red hues. This controlled transition from glaze to raw clay exemplifies Kobayashi's mastery of firing techniques and his sensitivity to the inherent beauty of ceramic materials. The vase stands as both sculptural object and functional vessel, appealing to collectors of contemporary Japanese ceramics, minimalist design enthusiasts, and those drawn to work that celebrates the elemental qualities of clay and fire.
Masami Kobayashi is a contemporary Japanese ceramic artist whose work reflects a deep engagement with traditional stoneware techniques while embracing modern aesthetic sensibilities. His octagonal forms recall the faceted vessels of medieval Japanese and Korean ceramics, where geometric precision met organic irregularity. The three-tier gradation seen in this vase is achieved through careful control of glaze application and kiln atmosphere. The upper celadon glaze is applied generously, creating a smooth, glossy surface. Below this, the glaze thins or stops entirely, allowing the natural clay body to emerge. The lower section's terracotta and iron-red tones result from the clay's iron content reacting with oxygen during firing – a technique known as flashing or bare-clay firing, celebrated in styles like Bizen and Shigaraki ware.
The vase presents a tall, slender octagonal form with eight distinct faces. The neck is narrow and gently tapered, leading to a simple rounded mouth. The vertical carved lines – created by combing or carving the clay while leather-hard – add texture and visual rhythm, guiding the eye from top to bottom. The upper third of the vase is coated in a soft celadon glaze, its jade-like tones evoking natural landscapes and traditional East Asian aesthetics. As the eye travels downward, the glaze gradually thins, revealing the natural clay body in warm beige and ochre tones. This middle zone acts as a transitional space, neither fully glazed nor fully raw, creating visual tension and interest.
The lower section of the vase is unglazed, exposing the clay body's response to high-temperature firing. Here, the clay has taken on rich terracotta, rust, and charcoal tones, with subtle variations suggesting the movement of flame and kiln atmosphere. These "fire marks" are prized in Japanese ceramics, considered evidence of the collaboration between artist, material, and kiln. The octagonal form remains consistent throughout, with the carved vertical lines creating a rhythmic texture that enhances the geometric structure. The foot is simple and stable, allowing the vase to stand firmly while maintaining its elegant proportions.
In contemporary interiors, this vase functions as a statement piece. Its vertical emphasis and architectural form suit modern spaces with clean lines and neutral palettes. The three-tier gradation adds visual interest without overwhelming – the celadon top brings calm, the natural clay middle provides warmth, and the terracotta base grounds the piece with earthy richness. Displayed on a sideboard, console, or low table, the vase can hold a single branch, dried grasses, or stand empty as pure sculpture. The carved texture invites touch, while the colour gradation rewards close inspection. For collectors, Kobayashi's work represents the ongoing dialogue between traditional Japanese ceramic values – respect for material, acceptance of irregularity, celebration of natural processes – and contemporary design aesthetics.
Condition: The vase appears to be in excellent condition with no visible chips, cracks, or structural damage. The colour variations and clay exposure are intentional aesthetic features resulting from the firing process. Please review the images carefully for condition details.
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