Joan Miro (1893-1983) - El Pez Cantante






Spent five years as a Classic Art Expert and three years as a commissaire-priseur.
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Joan Miró – “The Singing Fish” (Lithograph I, 1972)
In 1972, Joan Miró, already in full creative maturity at 79, develops for his renowned catalog Lithograph I a series of color compositions that condense the most free, poetic, and symbolic essence of his visual language.
Among them, “The Singing Fish” stands out as one of the most evocative and recognizable images. In this work, Miró reinterprets the marine universe from his unique imagination, where reality is transformed into a space of rhythm, movement, and emotion. Floating lines, undulating strokes, and organic shapes intertwine in a visual dance that suggests life, sound, and energy in constant transformation.
The composition, seemingly spontaneous, reveals a precise balance between emptiness and form, characteristic of Miró’s plastic language, where every element breathes and converses with the whole.
The piece is presented in a high-quality Fine Art Giclée edition on paper, with faithful color and detail reproduction.
It is framed in solid wood with dimensions 118 cm x 92 cm, with a refined artisanal finish in warm brown tones, which lend depth and natural elegance to the work, and protected with glass (not plastic), ensuring sharp viewing and optimal preservation.
Joan Miró – “The Singing Fish” (Lithograph I, 1972)
In 1972, Joan Miró, already in full creative maturity at 79, develops for his renowned catalog Lithograph I a series of color compositions that condense the most free, poetic, and symbolic essence of his visual language.
Among them, “The Singing Fish” stands out as one of the most evocative and recognizable images. In this work, Miró reinterprets the marine universe from his unique imagination, where reality is transformed into a space of rhythm, movement, and emotion. Floating lines, undulating strokes, and organic shapes intertwine in a visual dance that suggests life, sound, and energy in constant transformation.
The composition, seemingly spontaneous, reveals a precise balance between emptiness and form, characteristic of Miró’s plastic language, where every element breathes and converses with the whole.
The piece is presented in a high-quality Fine Art Giclée edition on paper, with faithful color and detail reproduction.
It is framed in solid wood with dimensions 118 cm x 92 cm, with a refined artisanal finish in warm brown tones, which lend depth and natural elegance to the work, and protected with glass (not plastic), ensuring sharp viewing and optimal preservation.
