Thomas Wijck (1616–1677) - Una donna che fila e un pescatore imponente edifico con ponte






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Thomas Wijck (1616–1677) created an aquaforte titled Una donna che fila e un pescatore imponente edifico con ponte, dating to the XVIII century, measuring 120 × 127 mm, in good condition and signed on the plate, origin Italy, sold by the owner or dealer.
Description from the seller
Condition: Excellent inking, good preservation with slight traces of foxing and browning;
Support: Lightweight paper;
Shipping: INSURED shipping via Bartolini/DPD courier. To use the insurance coverage, any damage to the neck must be contested and reported to the courier at the time of delivery. Otherwise, it will not be possible to activate the insurance reimbursement procedure.
Provenance: Provenance from private collection;
Thomas Wijck (Beverwijk, circa 1616 – Haarlem, 1677) was an important Dutch painter and etcher of the Golden Age, renowned for his Italian views and genre scenes. Key elements of his biography and style. The journey to Italy: He visited Rome around 1640, joining the Bamboccianti, a group of Flemish and Dutch painters who depicted the everyday life of Rome’s popular classes. The Italianizing Dutch masters: Like his contemporaries, he remained fascinated by Mediterranean light, the Roman ruins, and the Lazio countryside, elements he consistently incorporated into his works even after returning to his homeland. The subjects he favored: In addition to landscapes with ruins (like the etching you showed), Wijck is famous for his paintings of interiors of alchemist laboratories, Mediterranean port markets, and Roman courtyards. The stay in London: He worked in England in the 1660s, where he painted views of London before and after the Great Fire of 1666. The Monogrammed “TW”: In his prints and engravings, Wijck often signed with an elegant interweaving of his initials in the corner of the plate, a detail fundamental for art historians in attributing his graphic works.
Seller's Story
Condition: Excellent inking, good preservation with slight traces of foxing and browning;
Support: Lightweight paper;
Shipping: INSURED shipping via Bartolini/DPD courier. To use the insurance coverage, any damage to the neck must be contested and reported to the courier at the time of delivery. Otherwise, it will not be possible to activate the insurance reimbursement procedure.
Provenance: Provenance from private collection;
Thomas Wijck (Beverwijk, circa 1616 – Haarlem, 1677) was an important Dutch painter and etcher of the Golden Age, renowned for his Italian views and genre scenes. Key elements of his biography and style. The journey to Italy: He visited Rome around 1640, joining the Bamboccianti, a group of Flemish and Dutch painters who depicted the everyday life of Rome’s popular classes. The Italianizing Dutch masters: Like his contemporaries, he remained fascinated by Mediterranean light, the Roman ruins, and the Lazio countryside, elements he consistently incorporated into his works even after returning to his homeland. The subjects he favored: In addition to landscapes with ruins (like the etching you showed), Wijck is famous for his paintings of interiors of alchemist laboratories, Mediterranean port markets, and Roman courtyards. The stay in London: He worked in England in the 1660s, where he painted views of London before and after the Great Fire of 1666. The Monogrammed “TW”: In his prints and engravings, Wijck often signed with an elegant interweaving of his initials in the corner of the plate, a detail fundamental for art historians in attributing his graphic works.
